Preamble This article describes one of nine areas listed in Overview of Music Statistics: ABS, outlining the contribution of the Australian Bureau of Statistics to knowledge of the music sector Statistics The statistical volume on Arts and Culture in Australia,
Preamble Music Professionals in the Census Professional Artists and Other Cultural Workers Cultural Occupations and Cultural Industries Paid and Unpaid Involvements and “Main Job” Volunteering Non-managerial Adult Employees Gender Survey Author References Preamble This article describes one of nine areas
Introduction Combinatorial versus Biological Evolution Individual Technologies Domains The Origin and Development of New Technologies The Development of New Domains It All Takes Time Endnote: Arthur’s Three Laws Author References Introduction Technology is such a central feature of the music
Preface 26 April 2014 Introduction A Complex Sector Value flows Defining Outcomes: Economic Contribution Versus Well-being The three streams Stream 1: Creative musical activities Stream 2: Infrastructure support Stream 3: Innovative trends and activities Conclusion Author References Preface 26 April
Statistical Surveys Music Versus Other Artistic, Culture and Leisure Activities Payment Status Weeks and Hours Worked During Year Specific Musical Activities Work Involvement Versus Hobby Trends Comparison with 2001 Census References Author Statistical Surveys Since 1993, the Australian Bureau of
Preface added 26 April 2014 Music Sector Versus Music Industry The Initial Estimate (1984-85) Updating the Estimate to 2005-06 Comparison with Other Industries References Author Preface added 26 April 2014 This article represents a milestone between the original study of
A New Table Comparing 2006 with 1996 and 2001 Another 2006 Census Table Comments References Author A New Table Comparing 2006 with 1996 and 2001 Following communication with the National Centre for Cultural and Recreation Statistics of the Australian Bureau
Data 2006 Census Census Coverage Increasing Numbers of Musicians Sex, Age and Ethnicity Incomes and Income Distributions Income Trends Hours Worked Geographical Distribution of Arts Professionals Cultural Occupations and Cultural Industries References Author Data The statistical file associated with this
Summary Main Statistical Sources and their Compatibility Australian Bureau of Statistics Live Performance Australia Growth in Attendances Further Details for 2006 Geographical Differences Operas Versus Musicals A Parallel Survey Stated Frequency of Attendances The LPA Ticketing Survey References Author Summary
Introduction Australian Music Examinations Board Australian and New Zealand Cultural Arts Trinity Guildhall Examinations Australian Guild of Music Education Inc St Cecilia School of Music The Associated Board References Author Introduction There are two linked levels of music examinations, one
Reports for the Cultural Ministers’ Council The Statistical Framework Report The Compendium of Music Statistics Music Composition and Performances Organisations Involved in Staging Live Performances Organisations Involved in Recorded Music Expenditure on Music Consumption of Music The 1990 Report The
Introduction What does PPCA do? Why do I need a licence? What licences do I need? How do I obtain a sound recording licence? How much does a licence cost? Where do my licence fees go? Are there any recordings
Introduction The Australian Recording Industry Association (ARIA) is a national industry association representing major and independent record producers, manufacturers and distributors. ARIA has more than 100 members ranging from small ’boutique’ record labels typically run by 1-5 people, to medium
Data General Demographic Characteristics (Table 1) Participation in Creative Arts Income (Table 4) References Author Data This article refers to data derived from an Australian Bureau of Statistics publication, relating to the 2001 Census, a large-scale survey of Aboriginal and
The Main Federal Authorities Music Offices International Music Expos References Author The Main Federal Authorities The main federal government authorities supporting and promoting the Australian music industry are the Australia Council, the Department of Communications, Information Technology and the Arts
The Case There is some debate on whether folk music is a genuine genre, and not something fitting into either a branch of world music, blues or country music, or alternatively having become politically compromised, somehow. There is a related
The aim of the knowledge base is to provide reliable data, backed by articles on this page, on the music content of Australian radio and television. Transmissions by each of these take place through public, commercial and community broadcasting stations.
Introduction Author References Introduction With more than 400 entries as we write, the VROOM music venue database is way in front of others, found by googling ‘music venue Australia’. Here are some examples: The Melbourne Blues Appreciation Society (MBAS) “presents
A growing number of websites provide search facilities for venues across a wide range of entertainment areas. Specific music-related databases are harder to find, although it is reasonable to anticipate that this will change. Meanwhile, these compilations help produce a
Information on Arts Law The Arts Law Centre of Australia is the national community legal centre for the arts. It offers advice, education and advocacy services to Australian artists operating across the arts and entertainment industries. In addition, Arts Law
